While I don’t think a ‘Dislike’ button would add anything to the quality of the online conversation, it would at least remind us that our reactions to photography don’t all have to be situated on scale running from good to awesome.

From “You Like This”

Via EyeCurious

I’m so glad I dropped $40 dollars on this when I was a graduate student. There are so many interesting and insightful essays in it.

To elaborate, the discourse of a social media revolution is a form of self-focused empathy in which we imagine the other (in this case, a Muslim other) to be nothing more than a projection of our own desires, a depoliticized instant in our own becoming. What a strong affirmation of ourselves it is to believe that people engaged in a desperate struggle for human dignity are using the same Web 2.0 products we are using! That we are able to form this empathy largely on the basis of consumerism demonstrates the extent to which we have bought into the notion that democracy is a by-product of media products for self-expression, and that the corporations that create such media products would never side with governments against their own people.

From “The Twitter Revolution Must Die”

The network is live, the revolution is live. The energy that causes the network to circulate stems from the great performative moments in the streets, but it can be intensified as it passes through the network, as it was when “Egypt” watched “Tunisia.” This is a performative watching that reverses the long-standing deployment of visuality as a weapon against civilian populations by the Psy-Ops brigades and the ranks of the secret police .

Visual Culture Theorist Nick Mirzoeff on Revolution and Networked Visuality in North Africa.

Mirzoeff’s new blog “For the Right to Look”
Another awesome project Mirzoeff organizes The New Everyday